
We have always used monobank as an example of a strong Ukrainian brand
Their team has enough ideas and the courage to make decisions that change the way we think about banks. The mobile app itself is so thought out that you want to open it for no reason. The monobank team reached out to us for strategy and creativity.
Why does a strong brand need a strategy?
It’s important for Monobank to consistently show acceleration — gaining more new customers each month than the month before.
In 2019, mono reached an average annual speed of 90 thousand people/month. For a long time, the main sources were performance tools and the referral program.
The monobank team wanted to double the speed — They asked us to review the current customer acquisition strategy and suggest updates if necessary.

Analysis of the customer base
“What will happen if nothing changes?”
This question became the starting point of analytics. Our strategists made a forecast where budgets would double to achieve the desired speed, but the approach to advertising would not change.
Historically, mono has attracted mostly people under 35 and has accelerated its growth largely thanks to this group. The forecast showed that in order to grow at the same rate as now, in the next 2 years, the bank should attract every Ukrainian citizen under the age of 25 and every second citizen under the age of 35.
This is impossible. The speed will slow down unless we change our approach and expand our audience.

Competition analysis
“Bank in your phone is no longer a unique feature”
Banking apps are becoming common. Competition is increasing. Given that monobank's popularity is centered on young people, the brand may lose its association as the “first bank in a phone” for a wider audience.
Massive advertising to a wide audience should help to secure this association and gain an advantage when the category advertises its banking apps.

Audience
To make it easier to work with a wide audience, we segmented it according to their willingness to join mono. In in-depth interviews and focus groups, we saw three similar types of people, who were given names.
“Monolovers”
Mono customers who love the brand and are proud to be the first to join. They are happy to share their experience with others.
“Potential monolovers”
This group is the main source of growth right now.
They've heard a lot about mono, seen the app, and recognized the benefits. They are not against becoming a customer, but “Not quite there yet”
“It's okay”
A strategically important group. You need to start talking to them right now to ensure long-term growth.
People who either don't know or have heard but are not interested. They are dissatisfied with banks, but continue to live with them out of habit because “all banks are the same”. For them, a “bank without branches” is rather a disadvantage, because “there is no feeling that the bank exists in reality if it is only on the Internet.”
These people respond to the app demonstration, but promise to sign up later, when the brand becomes popular and “everyone starts using it” because “it's more reliable.”

Media strategy
The strategists have built a system to ensure that advertising is tailored to the objectives of each audience.
The top level is mass channels
They are needed to present monobank to the "It's okay" audience and to go beyond the Internet for them — to appear in the city and on TV, to become part of “real” life.
The second level is digital advertising.
It will help the "It's okay" to make the final decision and download the app, and remind the “potential monolovers” of their desire to become a customer and download it as well.
The third level is inside the app
Here you need to present new products and a referral program to invite friends.
Investment Evaluation
Mass channels were meant to complement digital. They work for long-term brand awareness. This meant that during the campaign, the cost per customer would increase dramatically.
The strategists' hypothesis was that investing in recognition should increase the effectiveness of performance tools and reduce the cost of engagement at this level.
We couldn't make an honest prediction of how much we would offset the cost of mass advertising during the campaign, but we took this into consideration in our planning.

Brand
monobank already has a personality, a circle of fans, and the superpower of “making people fall in love with them”.
The challenge for the team was not to reinvent the brand from scratch, but to transfer this superpower to the world of mass communication with a wide audience. It was important not to become another “annoying fly”.
We focused on what the ad would be about, how we would differ, and what we would absolutely refuse to do.

Creative idea
The creative team was plunged into the strategy. We wanted to come up with a way to explain the convenience of mono in simple language, without “a straight face” and exaggerating its role in people's lives. The idea had to be easily decomposed into tactical tasks, channels, and audiences.
The creative team's brief was as follows: “Come up with a non-boring instruction on how to use mono”


That’s how the idea “Can I? – You can” (Ukrainian: “Mono...? – Mono”) was born — and presented together with the strategy.
Animatic
COVID-19 has brought tension
Instead of accelerating, we started from a “pit”
At the beginning of 2020, when the idea was at the production stage, the “covid” made us struggle - in April, we received only 70 thousand customers. The cost of attracting each also went up - by 7% in April.

Launch of the campaign
In June, we launched the first flight of the campaign.
Our main 75-second video included all the monobank features that were needed in the advertisement.
ad 75 s
From the main video, we created videos of various formats and timings.
broadcast version for TV, 30s
broadcast version for TV, 30s
two 15-second versions dedicated to two topics: “paying from home” and “shopping”
Pre-rolls and short formats
We wanted Monobank’s first appearance on TV to be a bit cheeky — just like the brand itself. We came up with a non-standard media format for the commercials, which would “cling” to the commercials of other brands on the air.
Simple and bright outdoor advertising repeated the technique from the video and worked on memorization in mono.


ENG: – can i slit the bill for tea / for movie / with my finger / with friend / among the five of us? – you can!




ENG: – can i get a cashback on gum / jelly / book / movie premiere / pink panther? – you can!
Results
Four months in, we hit a record-breaking 160,000 new users — with an average of 140,000 joining every month throughout the campaign. During the advertising campaign, the cost per acquisition decreased by 19% compared to the average price in the first half of the year, offsetting some of the costs of mass communication.

Client
Monobank
CMO monobank
Anatolii Rohalskyi
Monobank co-founder
Oleh Horokhovskyi
Monobank co-founder
Mykhailo Rohalskyi
Agency
Banda
Creative Director
Maksym Boritko
Creative Director
Egor Petrov
Art Director
Katia Tkachenko
Copywriter
Serhii Vorvykhvist
Head of Strategy
Nastia Markova
Strategist
Bohdan Hetmanov
Senior Strategist
Mykyta Trehub
Designer
Vielichev Zhenia
Designer
Ira Levytska
Team Leader
Lena Zaiats
Project Manager
Stefaniia Vereitsi
Initiative
Managing Director
Serhii Kostin
Data & Planning
Oksana Marusych
Media Group Head
Yuliia Khanina
Promodo
Media placement
Vladyslav Kyselev
FB Ads
Serhii Lomanenko
Google Ads
Krystyna Vazhovska, Dmytro Kriuchkov
Project Manager
Viktoriia Vashchenko
Production
Viter
Director
Egor Petrov
Director of Photography
Anton Fursa
Executive Producer
Pavlo Diachenko
Gaffer
Yevhen Malyk
Production Designer
Hadzhylova Olena
1st AD
Oleksii Smoliar
2nd AD
Vadym Yuzba
Line Producer
Pavlo Opria
Production coordinator
Valeriia Krasyk
Production Manager
Anton Chernikov
Production Manager Assistant
Yevheniia Noskova
Runner
Oleksandr Advena
Hilarious Runner
Marian Beresh
Focus Puller
Vladyslav Dobryk
Camera Operator
Chornetskyi Rostyslav
1st AC
Herasymenko Serhii
2nd AC
Vyhovskyi Ruslan
1st Dolly Grip
Moroz Ihor
2nd Dolly Grip
Moroz Andrii
DIT
Oleksandr Sofin
Video Assistant
Nazaryna Slava
Sound Designer
Pavlo Koval
Clapper
Alina Yuriieva
Location Manager
Artem Matsiukh
Make Up Artist
Yuliia Zalesska
Hair Stylist
Yuliia Stets
Hair Stylist Assistant
Dariia Skoblinsika
Stylist
Dmytro Hibshman
Stylist Assistant
Roman Yatsenko
Stylist Assistant
Olena Omelchuk
Casting Director
Nika Bondar
Casting Assistant
Mykhailo Voropai
Post Production Supervisor
Roman Onufriichuk
Key Grip
Yurii Rybchenko
Electric
Andrii Borozenets
Grip
Roman Kriuchko
Grip
Oleksii Zbronzhko
Grip
Mykolai Sheshko
Construction Coordinator
Shpakovych Viktor
Property Master
Venhlovska Halyna
Property Master Assistant
Vasylenko Danylo
Production Designer Assistant
Karavaieva Yevheniia
Set Decorator
Shpakovych Mykolai
Set Decorator
Smirnov Mykolai
Set Decorator
Sydorchuk Maksym
Set Decorator
Shpakovych Yaroslav
Set Decorator
Saprykin Maksym
Set Decorator
Samedov Renat
Stunt Сoordinator/Rigger
Illia Yurchyshyn
Editor
Oleksandr Chornyi
Editor assistant
Oleksandr Lehos, iev
Color grading
Erlan Tanaev
Post Production Supervisor
Roman Onufriychuk
Sound
Baker Street
Motion Design
Anton Raduchits
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